Wednesday, May 16, 2012

Principles Of Practice - Effectiveness and Efficiency


How To Improve Faster And Avoid Ruts


In order to improve our skills and expand our abilities we need to practice.  This is not an unfamiliar idea.  Even young children recognize the principle.  Practice for the piano recital. Practice with the soccer team.

Regardless of the endeavor - from dancing to singing to cooking to painting, from martial arts to musical instruments, from writing to shooting pistols to closing the deal - practice is the key to improvement.

But HOW should we practice?  Everyone has general ideas about practice; some of these ideas are culturally ingrained.

But how effectively has practice worked for us in the past?  Is it time to question some old perceptions?

Let's look at a few examples.  Many people take piano lessons.  How many of those students can sit down at a piano and entertain at a dinner party?

Lots of people play golf regularly.  How many of them have good putting and driving technique?

Lots of people take tango classes.  They go to milongas week after week.  But for some folks improvement comes very slowly.


What's Missing?

What's the secret?  What's missing when someone invests a lot of time on something but makes only marginal progress?  It usually comes down to one of three possibilities.

A Conscious Choice To Avoid Practice

Some people don't have time to invest in practice regardless of whether or not they'd like to improve.

Others may be satisfied at their current level.  Practice for them isn't worth the opportunity cost of time and effort.

Incomplete Awareness

In order to improve something, we first need to understand how well it's working.  Or how badly it's NOT working.  If you're driving down the road and you don't realize that your turn signal is burned out, it won't occur to you to have it replaced.

For dancers, video can highlight problem areas that we might not otherwise notice.  Until we make an honest assessment of our strengths and weaknesses, we won't understand what aspects of our dancing require focused practice.

Ineffective Practice Methods

There are almost an infinite number of ways to practice ineffectively.  Listing them would be like listing all of the ways not to drive to Chicago.

Rather than try to compile a partial list I would suggest that dancers work with a teacher to help identify their problem areas and come up with a plan for improvement.  (Any good teacher should be more than willing to do this for you.)


Effectiveness and Efficiency

Practice is Effective when it yields positive results.  Practice is Efficient when it doesn't waste time or effort.

Good practice is both efficient and effective.  It's designed to help the student improve as quickly and easily as possible (keeping in mind that everyone progresses at a different rate, and 'as easily as possible' means that you still need to do a lot of hard work, just not extra wasted effort).


Tips For Effective Practice

Understand what you're trying to improve and why. - This requires an honest assessment of our strengths and weaknesses along with an understanding of our short and long-term objectives.  A good teacher or coach can help by identifying problem areas and deficiencies and developing a plan to address them.

Do the right things in the right way. - It doesn't help to practice mistakes (self-explanatory).  If you're not sure what to do or how to do it, discuss your developmental needs with a teacher who has a track record of helping students overcome obstacles.

Work on your weaknesses. - Concentrate on the areas that need improvement.  Don't waste time on things that already come easily.  Do the hard work, and over time you'll be able to convert those weaknesses into strengths.

Focus on one issue at a time. - Do your brain and your body a favor.  Work on one problem or technique at a time.  Simplify the exercise to isolate the area that you want to improve.

Work only as long as you can engage your full concentration on the problem areas. - When we stop concentrating we become sloppy.  What happens when we repeat sloppy technique over and over again? - Right!

Strive for Near Perfection, but don't get frustrated by Absolute Perfection - It's better to do each movement as perfectly as possible for a handful of times (or even ONCE) than to do it sloppily ten-thousand times.

Just don't worry about ACHIEVING perfection.  It's enough that you STRIVE for it, that you REACH for it.  That's the secret to developing technique effectively.

Concentration is vitally important.  In order to improve we need to approach perfect form as we practice (at least to the degree that we are capable).  It's not humanly possible to maintain that level of focus for hours and hours on end.

Add variety to keep the mind and body fresh. - We can repeat the same techniques or movements only so many times before our brains go to the Bahamas and our feet hurt like crazy.  Before you approach your saturation point, switch to another topic.  Or at least to the other side.


Keep practicing.  Keep doing the right things in the right way and improvement will arrive like a check in the mail - a little late but well-earned and greatly appreciated.



¡Buena suerte amigos, y muchas gracias!
Daniel


Copyright © 2012 The Exploring Tango Blog
exploringtango.blogspot.com
All Rights Reserved


Saturday, May 5, 2012

Dancing Beyond Sexuality - Addendum

A Hockey Analogy

It's playoff time in the National Hockey League.  I've had the pleasure of enjoying a number of exciting games so far despite the fact that my beloved Pittsburgh Penguins were eliminated in the first round.  Boo!

I've also been receiving a lot of thoughtful comments about my previous post entitled, "Dancing Beyond Sexuality."

I suppose that all of the tango and hockey has been mixing in my head, because earlier this week I came up with a fun analogy.


Dancing tango primarily to enjoy a sensuous experience is like watching hockey primarily to see fights.


I accept that fighting is a part of NHL hockey.  (Whether it should be is another topic.)

I accept that hand to hand combat is fascinating to human beings.  Wrestling, boxing, and other fighting sports have been popular with spectators since the dawn of human history.

I accept that some people will watch NHL hockey matches in order to enjoy the fights that break out from time to time.

However, if someone watches hockey primarily for the fights, they may not be appreciating the many other aspects of the sport - the speed, the skill, the strategy, the athleticism, the split-second reactions of the goaltender, the history or the sport and the unique legacy of the Stanley Cup trophy.

Further, fight fans won't be able to enjoy collegiate and international hockey matches where fighting is not tolerated to the degree that it is in the NHL.

Now back to tango...


I accept that holding someone closely in our arms can be a sensuous experience, particularly if we find that person to be attractive in the first place.

I accept that human attraction is a powerful force that's encoded into our very being.  These impulses are impossible to ignore entirely as they'll always command some percentage of our attention.

I accept that there are people who dance the tango primarily for the enjoyment and closeness that they feel when they're being held in someone's arms.

However, if this is their primary focus, they may not be appreciating other aspects of the dance.


The Argentine tango provides a framework where a unique and powerful connection can exist.  This connection enables two individuals to improvise movements together in real time, movements of significant complexity and detailed nuance.

The tango connection will not happen with every partner.  In fact, one of the great joys of all partners dancing - but especially the Argentine tango - is discovering which partners best connect with us.  The amount of experience that they have doesn't matter.  I've enjoyed wonderful tandas with people how have been dancing for only a short while.  Similarly, physical attraction for the partner does not contribute much if anything to our ability to connect within the dance.

A tango connection can happen with a partner who is old or young, male or female, and of just about any size or shape.  Conversely, anyone who's spent much time at a milonga has probably danced with a highly attractive person with whom the had no tango connection whatsoever.


What is it that creates magic at the milonga?  It's clearly not physical attraction.

A partner brings many attributes to the dance floor.  Some people hear music very clearly or they've spent time developing skills in musical interpretation.  Some are highly creative.  Some are flexible, athletic, and well-balanced.  Some have a delightful sense of humor.  And of course it doesn't hurt to have reasonably well-developed technique.

Unfortunately, if we get caught up looking for a sensual experience in the arms of an attractive partner, we're bound to miss out on tango connections with partners who have all of these other wonderful qualities to share.


In closing, I'll leave you with the immortal words of legendary comedian Don Rickles: "Don't be a hockey puck!"



¡Buena suerte amigos, y muchas gracias!
Daniel


Copyright © 2012 The Exploring Tango Blog
exploringtango.blogspot.com
All Rights Reserved